Bachís St. Matthew Passion as we know it today evidently had a long history dating back before 1727. It is unclear whether the work performed at the Thomaskirche , Leipzig on Good Friday 1729 was based on a still earlier version. Whatever the case, the surviving version of 1729 presents the work in a form strikingly different from its later incarnation. For example, the opening section ends with the chorale ë Jesum lass ich nicht von mir í which was replaced by the large-scale cantus firmus chorus ëO Mensch , bewein dein S¸nde grossí for the 1736 performance.
The well-known alto aria ëAch! Nun ist mein Jesus hin í is still assigned to a bass in the earlier version, and the aria ë Komm s¸sses Kreuz í calls for a lute instead of the later viola da gamba . Moreover, the pieces for double chorus only require a single continuo group. Other differences can be found in the instrumental scoring and voice leading. The early version of the St. Matthew Passion is thus a most interesting addition to the great concert repertoire.
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