Bachís St. Matthew Passion as we know it today evidently had a long history dating back before 1727. It is unclear whether the work performed at the Thomaskirche on Good Friday 1729 was based on a still earlier version. Whatever the case, the surviving version of 1729 presents the work in a form strikingly different from its later incarnation. For example, the opening section ends with the chorale ì Jesum lass ich nicht von mir î which was replaced by the large-scale cantus firmus chorus ìO Mensch , bewein dein S¸nde grossî for the 1736 performance.
The well-known alto aria ìAch! nun ist mein Jesus hin î is still assigned to a bass in the earlier version, and the aria ì Komm s¸sses Kreuz î calls for a lute instead of the later viola da gamba . Moreover, the pieces for double chorus only require a single continuo group. Other differences can be found in the instrumental scoring and voice-leading. The early version of the St. Matthew Passion is thus a most interesting addition to the great concert repertoire.
The corresponding volume of the ìNew Bach Editionî (series II/volume 5b) serves as a conducting score.
– Attractive alternative to the well-known St. Matthew Passion
– Urtext from the ìNew Bach Editionî
– Straightforward and easy-to-play piano reduction
– Unique to the market
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