Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Härtel in Leipzig. We now know that a continuo instrument was used for Haydn’s oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianof Orte) fulfilled the imp Ortant continuo function in the orchestras of the time.
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