Carl Rütti’s choral music is ‘sensuous and exuberant by turns, combining dazzling rhythms and soaring melodies with distinctively lush harmonies’ (Choir and Organ Magazine). Of his Requiem, immense in scale…
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…S¸nde grossî for the 1736 performance. The well-known alto aria ìAch! nun ist mein Jesus hin î is still assigned to a bass in the earlier version, and the aria…
ìI know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who…
…of its harmonic language and compositional workmanship. Its resultant moderate difficulty ñ and the possibility of using chorus members or a small subgroup for the solo parts in alternation with…
…employment.The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds…
Mozartës ìMissa in C major2 K. 337î is similar to the ìCoronation Massî K. 317 in its instrumentation, the occasion for its composition and its duration: In March 1780, approximately…
…is functional music for the church service on Sundays and feast days, for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment…
Cantata 56, also known as the ÑKreuzstab Cantataì, was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo….
…salutarisì, is ideally suited for performance in church services, and has been arranged for performance with chorus and organ. The Berlioz scholar and musician Hugh Macdonald has successfully transferred BerIioz’s…
…manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of…