…Forewords in English and German – Straightforward, idiomatic piano reductions – Kyrie and Gloria can be combined for performance The orchestral parts for the original SATB version can be used…
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…Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. – Urtext edition based…
…edition of ìLíOrfeoî offers in addition to Monteverdiís somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to…
…based on the now incomplete autograph. Since the work copy was repeatedly revised and corrected as further copies were made, it comes the closest today to a last authorized version….
…reflecting the order in which the operas were composed. The three volumes: Female roles for high voice (BA 4295) Male roles for high voice (BA 4296) Duets, Trios and Ensemble…
The authorship of the two motets ìIch lasse dich nicht, du segnest mich dennî and ìJauchzet dem Herrn, alle Weltî has eluded scholars to the present day, and their authenticity…
…that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library….
…feast of Epiphany according to old tradition but was also sung at the Annunciation of the Blessed Mary. Verses 2 to 6 form the basis for the tenor and bass…
…the ode was printed in score in 1684 and the Society had to move for the 1684 celebrations to a later hall, the Stationers Hall. The ode of 1683 shows…
…a standard procedure for this composer, who reused particularly successful pieces as starting points for his later works. The scoring for solo voices, chorus, oboe, strings, and continuo was tailored…