The new “Breitkopf Ur Text” edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means,…
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Although the composition date in unclear, Mozartës ìMissa in C majorî K. 258 was most probably written around 1775/76. This mass was composed in ìbrevisî form and was named as…
…led, for instance, to a divergent evaluation of the ìLauda Jerusalemî oriented towards performance practice, with numerous additional accidentals and a new interpretation of the melodic variants from the different…
…interspersed throughout the third movement. The autograph of the mass is dated Salzburg, 24 June 1774. Mozart intended the mass to be used for Sundays and smaller church holiday services…
…better known and relatively lavish Te Deum of the ìEurovision Fanfareî (H 146), this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric,…
Simultaneously, he corresponded with the poet about cuts and revisions of the Libretto, and, towards the end of the year, even let himself be persuaded by friends to orchestrate it….
…the complex source situation regarding Beethoven’s Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that B‰renreiter’s new…
…music Text reproduces the composer’s own piano part, as it is planned for publication in the Complete Edition. For performances in English, the German-English piano-vocal score remains the standard edition….
This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last…
…Notturni were most likely written with Keyboard accompaniment although nothing survives. However we do have an accompaniment in Mozart’s hand for 2 Clarinets and Basset Horn (or 3 Basset Horns)….