…and musical ideas. Apart from the Benedictus, the solo parts are limited to short interpolations. – Relatively easy choral and solo writing – Easy-to-play organ arrangement – Ideal for church…
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…employment.The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds…
…reflecting the order in which the operas were composed. The three volumes: Female roles for high voice (BA 4295) Male roles for high voice (BA 4296) Duets, Trios and Ensemble…
…edition of the complete songs ïFirst Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor ïSome songs appear for the first time in print ïVocal texts…
The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of…
The preference of English audiences for large-scale vocal works led to Dvor·k being commissioned in November 1883 to write a cantata for solo voices, chorus and orchestra for the 1885…
AntonÌn Dvor·kís D major Mass differs markedly from his other large choral compositions. Written for a private occasion, this work of some half-hourís duration is remarkable for the fascinating simplicity…
The cantata Wo gehest du hin?, which dates from the first year of Bach’s appointment in Leipzig and was given for the first time on 7 May 1724, takes as…
This cantata for the First Sunday after Trinity, first performed in 1726, is one of the most musically attractive compositions composed by Bach during his time as cantor at St….
…Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition, reserving his own motet compositions for…